When he asks for one night together so he can show me what it's like to be with a man, I can't say no. West's the only person who knows all the parts of me, just like I know his. Though my identity doesn't stay a secret from him for long.Between texts and late-night phone calls, we get to know each other. At least he doesn't know who I am-the best tight end in the NFL, playing for the Atlanta Lightning. No one has ever guessed my secret until the gorgeous man at a bar in DC. Pretending isn't easy, but it means I can keep playing football. So, when I'm in DC and see a beautiful guy at the hotel bar, I don't hesitate to proposition him.right before he runs out on me, leaving his sunglasses behind like my very own Cinderfella.AnsonI've always known I'm gay, but never acted on it. From college, to law school, to the United States Senate representing California, I've done it all as an out gay man. WestonWhen I left home, I swore I'd never hide anything about myself again.
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And that means one thing hasn’t Tara Chace is never the hunted. Now, if she’s to have a future, Chace must survive any way she can. And when it does, it’s far worse than even she expects. For with the likelihood of a double cross at every turn, Chace knows that chaos can erupt in a heartbeat. But obtaining him is one thing, getting him out of the country will be another. Soon Chace is on the ground in Tehran leading an extraction team toward a high-profile defector. But what if the long-dormant cipher is a trap meant to entice Iran’s enemies into the open? There’s only one way to find out-and only one agent who can do Tara Chace. The assignment begins with an enigmatic message from Iran-a message made all the more perplexing not just by its cryptic code but by its apparent dispatcher. But before her replacement can be chosen, there’s one last job for Queen and country. She’s ready for a desk job, the quiet role of mentor to a new generation of special operations officers. Now, in Greg Rucka’s sensational new Queen & Country thriller, the world’s most lethal woman embarks on one final and all-too-likely fatal mission.įor nearly a decade Tara Chace has been Britain’s top covert agent. The game of espionage catches up to everyone in the end. Krotoa was directed by Kaye Ann Williams with Uwe Jansch as Director of Photography and producer by Roberta Durrant. We examine the life of a woman now known as the Mother of the AfrikaanerNation. She aided Jan van Riebeeck in his dealings with the Khoi and was instrumental in negotiating the end of the first Dutch-Khoi war. The only recorded female interpreter of her time, was the bridge between the Khoi people and the Dutch settlers. A tragic heroine – Krotoa: Eva of the Cape. When the young Krotoa moved into the home of Jan van Riebeeck, she became a ‘pet’ project to his wife, Maria. Krotoa was a Khoi girl (c.1643-1674) of the Goringhaicona tribe from the Cape who was taken at the impressionable age of ten or eleven years old into the home of Jan van Riebeeck as a domestic servant. The series investigates historical occurrences or people of significance that may not be widely known: Krotoa is a documentary in the Hidden Histories’s slate of documentaries produced for SABC 1. The overly sexualized native woman surfaces in the sources of European exploration in places as diverse as North America, the South Pacific, East Indies and West Africa.2 Another account that is. On the ship is a group of circus performers, and tension rises as women are brutally murdered after every performance. This book follows Audrey Rose and Thomas as they try to catch a killer in a new setting: a cruise ship. But with clues to the next victim pointing to someone she loves, can Audrey Rose unravel the mystery before the killer's horrifying finale? It's up to Audrey Rose and Thomas to piece together the gruesome investigation as even more passengers die before reaching their destination. The disturbing influence of the Moonlight Carnival pervades the decks as the murders grow ever more freakish, with nowhere to escape except the unforgiving sea. Embarking on a week-long voyage across the Atlantic on the opulent RMS Etruria, they’re delighted to discover a traveling troupe of circus performers, fortune tellers, and a certain charismatic young escape artist entertaining the first-class passengers nightly.īut then, privileged young women begin to go missing without explanation, and a series of brutal slayings shocks the entire ship. Audrey Rose Wadsworth and her partner-in-crime-investigation, Thomas Cresswell, are en route to New York to help solve another blood-soaked mystery. In a heart-stopping climax, Molly and Kip attempt to stop this specter and the ancient curse. Muddy footprints and dead leaves in the house attest to an evil nocturnal visitor, the titular Night Gardener, who wipes the sweat of fear from their nightmare-ridden brows to water the tree. The price is a piece of the petitioner’s soul. Entering the forbidden room at the top of the stairs, Molly finds a knothole in the tree-a knothole that produces whatever one wishes for (money, jewels, sweets). The master, mistress and their two children grow pale and thin their eyes and hair blacken. Although warned that this place contains something ominous that changes people, they are unprepared for the evil they encounter. The destitute siblings become servants at the Windsor estate, at the center of which is a decrepit house entwined with a huge and sinister tree. Replete with engaging figurative language and literary allusions to works ranging from the Bible to Paradise Lost, Auxier’s creepy Victorian ghost story is an allegory on greed and the power of stories.įourteen-year-old Molly and her younger brother, Kip, orphans fleeing the Irish famine, seek work in England. In the three-part interview, Morrie discusses his battle with his newly developed disease, Amyotrophic Lateral Sclerosis (ALS). It is his old professor being interviewed on Nightline by Ted Kopple. Years later while scrolling through the television, Mitch hears a familiar voice. After Mitch’s graduation ceremony he makes a promise to the emotional Morrie that they will stay in contact with each other this promise, however, is not kept. Their relationship grew as Mitch took nearly all the sociology courses that Morrie taught. Mitch Albom first encountered Morrie Schwartz during his time at Brandeis University. As I reflect on the book nearly 3 years later, I have come to value the lessons that the book has taught me. The many lessons that we learned from reading Tuesdays With Morrie revolved around the ideas and values introduced. This class is where I was gratefully introduced to the masterpiece that is Tuesdays With Morrie. This class was rather quite different, as we focused on the values and lessons taught in literature instead of the basic curriculum taught. During my junior year of high school, I took an AP language course with the wonderful Ms. She has continued to write in both genres, telling an interviewer that "I think working in one genre replenishes my energy for the other." Her novels have appeared on The New York Times Best Seller list as well as those compiled by USAToday and Publishers Weekly. Īlthough Enoch has had great success writing Regency romances, in 2005 she published her first contemporary romantic suspense novel. She finally quit her full-time job in 2002 to devote herself to writing. Include Wild Wicked Highlanders, No Ordinary Hero, Scandalous Brides, Samantha Jellicoe. Her first novel, The Black Duke's Prize, was published by Avon in 1995. Her first attempts at writing were in the romantic fantasy genre, but she soon began writing Regency romances. She graduated from the University of California, Irvine with a degree in English. Suzanne Enoch (born California) is an American author of best-selling contemporary and historical Regency romance novels.Įnoch began writing down her own stories when she was a child. "There are moments when I'm writing something and I realize it's not fair to do that to that character - rarely with the Nazis. The series will span the globe in terms of different theaters of war and in types of characters - however, there are no leads since Gillen wants readers to worry that people could die at any time, sometimes rather nastily. These are enormous forces that can crush anybody."Įven though it's called Uber, the book focuses on more than the Nazi war machine. Occasionally, the economics and the military situation will lead to people being crushed in the wheels of history, and that's true whether you are the most powerful person on Earth or if you're just a random orphan living in the streets of Okinawa. "It's not a story about heroism and overcoming. "In the same way that a tank is an incredible piece of hardware, a modern attack helicopter will always take out a tank just because they are different tools for different purposes. Uber is the story that every single time, Galactus will kill Spider-Man," Gillen explains. "It doesn't matter if Spider-Man's fighting Galactus - Spider-Man will find a way to beat Galactus. In fact, one of the core ideas of the book was to stray from the traditional idea of heroic action fiction that the hero will always rise to overcome an objective. I can't point out what prolonged this story, at all. I adore slower-paced reads with slow building, suspense, intense character studies, or evocative depictions of the landscape. The story-line was, in theory, a compelling one but I found the pacing too slow for me to care overly much. Whilst there was nothing inherently wrong with it, it just didn't fill me with any feelings. This had such an intriguing premise and had such potential to be a completely bad-ass book. I was immediately more invested in this, than the first book, from the very first line of, "A dragon was dead." The prologue set the story up nicely but I did not, however, appreciate all of the character traits and found the main character, Aurora, to be a little vapid, shallow, and ungrateful, which had me struggling to empathise with her plight. Or, if she does, it probably won't be true love's kiss to awaken her. Once Upon a Dream is the tale of a Sleeping Beauty who might never wake up. This is the second instalment in a series of Disney-inspired retellings by Liz Braswell. Shortlisted for the Argosy Irish Nonfiction Book of the Year Award The Stolen Village is a fascinating tale of international piracy and culture clash nearly 400 years ago and is the first book to cover this relatively unknown and under-researched incident in Irish history. Des Ekin’s exhaustive research illuminates the political intrigues that ensured the captives were left to their fate, and provides a vivid insight into the kind of life that would have awaited the slaves amid the souks and seraglios of old Algiers. The Sack of Baltimore was the most devastating invasion ever mounted by Islamist forces on Ireland or England. The old city of Algiers, with its narrow streets, intense heat and lively trade, was a melting pot where the villagers would join slaves and freemen of many nationalities. The prisoners were destined for a variety of fates - some would live out their days chained to the oars as galley slaves, while others would spend long years in the scented seclusion of the harem or within the walls of the Sultan’s palace. They captured almost all the villagers and bore them away to a life of slavery in North Africa. In June 1631 pirates from Algiers and armed troops of the Turkish Ottoman Empire, led by the notorious pirate captain Morat Rais, stormed ashore at the little harbour village of Baltimore in West Cork. |